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2019³â [26Áý] 3È£ - ¸ñÂ÷ -
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¹ÚÇÏÁ¤(¿ø±¤´ëÇб³), ¡°Ã³¹ú¹ÞÁö ¾Ê°í ó¹úÇϱ⡱: 「¾Æ¸óÆ¿¶óµµ ¼úÅë」°ú 「¿¡¹Ð¸®¿¡°Ô Àå¹Ì¸¦」¿¡ ³ªÅ¸³­ º¹¼ö¿Í °øÆ÷

¾ö±âµ¿(¼Û¿ø´ëÇб³), ¸®Ã³µå ¶óÀÌÆ®ÀÇ ¡ºÅä¹ÚÀÌ¡» ´Ù½Ã Àбâ: ºñ°Å Åä¸Ó½º¿Í Àé ¾ó·ÐÀÇ °ü°è¸¦ Áß½ÉÀ¸·Î

ÃÖ¼±·É(È£¼­´ëÇб³) Áø ¸®½ºÀÇ ¹ÝÆä¹Ì´ÏÁò¿¡ ´ëÇÑ ºñÆÇÀû °íÂû

±èÁöÀº(¿¬¼¼´ëÇб³), Exploration of Women Operators¡¯ Integrity in The Telegraph Girl and In the Cage

¼­Á¤Àº(¿¬¼¼´ëÇб³), Wounded Animals, Tess and the Ethics of Representation in Thomas Hardy¡¯s Tess of the D¡¯Urbervilles

Áø¼ºÀº(Á¦ÁÖ´ëÇб³), Transatlantic Connections and the Gothic Imagination in Louisa May Alcott¡¯s Flower Fables

ÇÏÀÎÇý(ÀÎõ´ëÇб³), The Sympathy Exams: Dog Narratives and the Arc of Interspecies Sympathy


   

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592  2020³â [27Áý] 2È£ - ¹ÚÁÖÇö - The ¡°Almost¡± Reformers: Isabe¡¦ 08-31 451
591  2020³â [27Áý] 2È£ - À̽½¾Æ - Functions of Frontispieces and ¡¦ 08-31 461
590  2020³â [27Áý] 2È£ - ÇÏÀÎÇý - Bearing Witness to the Pain of ¡¦ 08-31 400
589  2020³â [27Áý] 1È£ - ¸ñÂ÷ - 04-30 419
588  2020³â [27Áý] 1È£ - ¹Úâ¼÷ - ÇÏÀ̺긮µå ŽÁ¤: »ý°¢ÇÏ´Â ±â°è,¡¦ 04-30 445
587  2020³â [27Áý] 1È£ - Á¶±ÔÇü - ¡º¸ðºñµñ¡» ÁÖÀΰø·ÐÀÇ ºñÆò»çÀû ¡¦ 04-30 463
586  2020³â [27Áý] 1È£ - ±èÇü±Ù - The Incongruence of the Individ¡¦ 04-30 376
585  2020³â [27Áý] 1È£ - À¯¿µÇö - The Landscape of Memories and S¡¦ 04-30 445
584  2020³â [27Áý] 1È£ - ÀÌÇ϶÷ - ¡°The Ghost of a Fact¡±: The Cr¡¦ 04-30 448
583  2020³â [27Áý] 1È£ - Á¤´Ù¿î - The Pseudonym-Effect of ¡°Georg¡¦ 04-30 444
582  2019³â [26Áý] 3È£ - ¸ñÂ÷ - 12-31 505
581  2019³â [26Áý] 3È£ - ¹ÎÅ¿î - ¡ºÀ²¸®½Ã½º¡»¿¡¼­ ½ºÆ¼ºìÀÇ ¶Ç ´Ù¡¦ 12-31 440
580  2019³â [26Áý] 3È£ - ¹ÚÇÏÁ¤ - ¡°Ã³¹ú¹ÞÁö ¾Ê°í ó¹úÇϱ⡱: ¡¦ 12-31 488
579  2019³â [26Áý] 3È£ - ¾ö±âµ¿ - ¸®Ã³µå ¶óÀÌÆ®ÀÇ ¡ºÅä¹ÚÀÌ¡» ´Ù½Ã¡¦ 12-31 474
578  2019³â [26Áý] 3È£ - ÃÖ¼±·É - Áø ¸®½ºÀÇ ¹ÝÆä¹Ì´ÏÁò¿¡ ´ëÇÑ ºñ¡¦ 12-31 470
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