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2015³â [22Áý] 2È£ - ¸ñÂ÷ -
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ÃÖÀÚÀ±(¼­¿ï´ëÇб³), The Early Republic, the Haitian Revolution, and the Horrors of Slavery in Brown¡¯s Ormond 
 
ÃÖÀ±¿µ(ÀÌÈ­¿©ÀÚ´ëÇб³), ¡°Beautiful Moving Corpses¡±: The ¡°Living Dead¡± as Anti-Capitalist Critique in Elizabeth Stuart Phelps¡¯s The Silent Partner
 
±èÁ¤ÇÏ(¿¬¼¼´ëÇб³), ¡°Insane Terrors of the Present¡±: Melancholic Temporality in Herman Melville¡¯s Benito Cereno
 
±è¼ø¹è(¼º±Õ°ü´ëÇб³), Exiled Space and Political Agonism in Lord Jim
 
±è¿µÁÖ(¼­°­´ëÇб³), A Troubling Sign of Englishness: The Country House Novels of Henry James, Ford Madox Ford and E. M. Forster
 
»ç¹Ì¿Á(ÃæºÏ´ëÇб³), Dreaming the Rebellious Dream: Reconstruction of the Happy Marriage in Eliza Haywood¡¯s The History of Jemmy and Jenny Jessamy
 
½ÅÇý¿Á(°í·Á´ëÇб³), Boundless Despair as the Way to Salvation: Melville¡¯s ¡°Bartleby, the Scrivener¡±
 
Kevin Edwin Stadt(±¹¸³¼­¿ï°úÇбâ¼ú´ëÇб³), Sheriff Bell¡¯s Bad Faith: A Sartrean Perspective on Freedom and Anguish in McCarthy¡¯s No Country for Old Men

   

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238  2013³â [20Áý] 2È£- Àå±âÀ± -Failed Detectives Make a Case: (U¡¦ 08-31 928
237  2014³â [21Áý] 2È£ - Gidong Aum - Henry Sutpen and Charles Bo¡¦ 08-31 927
236  2017³â [24Áý] 3È£ - Á¶ÀºÁø - (Un)Making of Jacob Flanders: P¡¦ 12-30 927
235  2012³â [19Áý] 2È£- À̼®±¸- A Study on the Politics of Romanc¡¦ 09-13 925
234  2013³â [20Áý] 1È£- ±èÀÌÀº- 「À¯¼øÇÑ ¼Ò³â」: ¿ª»ç¡¦ 05-13 925
233  2012³â [19Áý] 3È£- ¸ñÂ÷ - 01-13 919
232  2014³â [21Áý] 2È£ - Yun Jin Lee - Spectacular Display of the¡¦ 08-31 917
231  2018³â [25Áý] 3È£ - ¸ñÂ÷ - 12-31 910
230  2015³â [22Áý] 2È£ - ÃÖÀÚÀ± - The Early Republic, the Haitian¡¦ 08-31 908
229  2018³â [25Áý] 2È£ - Richard Bonfiglio - The Queerness of Fai¡¦ 08-31 908
228  2015³â [22Áý] 2È£ - ¸ñÂ÷ - 08-31 899
227  2013³â [20Áý] 2È£- ³ë°æÀº -The Female Traveler¡¯s Gaze in Mo¡¦ 08-31 898
226  2014³â [21Áý] 3È£ - ±èÀÌÀº - ¡º½Å¿ë»ç±â²Û: ±×ÀÇ °¡Àå±Ø¡»: ½Å¡¦ 01-03 897
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