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2018³â [25Áý] 1È£ - ¸ñÂ÷ -
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°í¿µ¶õ(¼ö¿ø´ëÇб³),  À§´ëÇÑ °³Ã÷ºñ¡»(The Great Gatsby)ÀÇ Çö´ëÀû °¢»ö: º¯¿ëÀÇ ¾ç»ó°ú ±× ÀǹÌ

±èÀÏ¿µ(¼º±Õ°ü´ëÇб³), ¡º·¹º£Ä«¡»¿¡ ³ªÅ¸³­ ±ÝÁöµÈ Áö½Ä/½ÇÀçÀÇ ±Íȯ°ú °¡ºÎÀåÁ¦ÀÇ ºñ¹Ð

¹è°æÁø(â¿ø´ëÇб³), Ç ¸ÆŲÁöÀÇ ¡º°¨¼ºÀûÀÎ ³²ÀÚ¡»¿¡ ³ªÅ¸³­ °¨Á¤ °úÀ×°ú °¨¼ºÀû ÁÖü¼ºÀÇ µµ´öÀû ÀǹÌ

Àå±âÀ±(¼­°­´ëÇб³), Å¬¸®Æ÷µåÀÇ ·Î¸Ç½º: ¡ºÀÏ°ö ¹Ú°øÀÇ Áý¡» ´Ù½Ã Àбâ

ÁøÁÖ¿µ(¼øõÇâ´ëÇб³), Á¤Áö »óÅ¿¡ ´ëÇÑ °øÆ÷: ¡º»ç¶÷µéÀº ¸»À» ½ð´Ù, ±×·¸Áö ¾ÊÀº°¡?¡»¿¡ ³ªÅ¸³­ ¹Ì±¹ ´ë°øȲ½Ã´ë ´í½º ¸¶¶óÅæÀÇ »çȸ¹®È­Àû ÇÔÀÇ

±èºÎ¼º(¼­°­´ëÇб³), The Uncanny, Normalcy, and the EnLIGHTenment: Reversing the Hegemony of Vision in H. G. Wells¡¯s ¡°The Country of the Blind¡±

±èÀ±¼­(¿¬¼¼´ëÇб³), To the Horizon: Tracing Janie Crawford¡¯s Modern Consciousness in Their Eyes Were Watching God

±èâÈñ(¿¬¼¼´ëÇб³), The US¡¯ Biopolitical Making of an Affective Empire in the Fin De Siecle and Now

ÃÖÀÚÀ±(Çѱ¹¿Ü±¹¾î´ëÇб³), Technological and Narrative Inventions in Defoe¡¯s The Consolidator

 


   

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568  2020³â [27Áý] 3È£ - ¸ñÂ÷ - 12-31 585
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565  2020³â [27Áý] 3È£ - Á¤¼­Çö - The Political Economy of Dead C¡¦ 12-31 594
564  2016³â [23Áý] 3È£ - ¼ÕÁ¤Èñ - ¼Ó¹ÚµÈ ¿©¼ºÀ¸·ÎºÎÅÍ ¹þ¾î³ª±â: ¡¦ 12-31 595
563  2017³â [24Áý] 1È£ - Á¶ÈñÁ¤ - ¡º°íµñ À̾߱âµé¡»¿¡ ³ªÅ¸³­ °¡ºÎ¡¦ 04-29 599
562  2018³â [25Áý] 2È£ - ¸ñÂ÷ - 08-31 602
561  2017³â [24Áý] 2È£ - ¹ÚÁ¾¼º - Configuration of Female Charact¡¦ 08-30 604
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558  2021³â [28Áý] 2È£ - ÃÖ¼Ò´ã - ¡°Wheresoever She Was; There Wa¡¦ 08-31 618
557  2018³â [25Áý] 2È£ - Áø¼ºÀº - Imperial Topography in C. S. Le¡¦ 08-31 619
556  2016³â [23Áý] 1È£ - Kelly S. Walsh - Virginia Woolf¡¯s Figur¡¦ 04-30 624
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