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2019³â [26Áý] 3È£ - ¸ñÂ÷ -
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¹ÚÇÏÁ¤(¿ø±¤´ëÇб³), ¡°Ã³¹ú¹ÞÁö ¾Ê°í ó¹úÇϱ⡱: 「¾Æ¸óÆ¿¶óµµ ¼úÅë」°ú 「¿¡¹Ð¸®¿¡°Ô Àå¹Ì¸¦」¿¡ ³ªÅ¸³­ º¹¼ö¿Í °øÆ÷

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ÃÖ¼±·É(È£¼­´ëÇб³) Áø ¸®½ºÀÇ ¹ÝÆä¹Ì´ÏÁò¿¡ ´ëÇÑ ºñÆÇÀû °íÂû

±èÁöÀº(¿¬¼¼´ëÇб³), Exploration of Women Operators¡¯ Integrity in The Telegraph Girl and In the Cage

¼­Á¤Àº(¿¬¼¼´ëÇб³), Wounded Animals, Tess and the Ethics of Representation in Thomas Hardy¡¯s Tess of the D¡¯Urbervilles

Áø¼ºÀº(Á¦ÁÖ´ëÇб³), Transatlantic Connections and the Gothic Imagination in Louisa May Alcott¡¯s Flower Fables

ÇÏÀÎÇý(ÀÎõ´ëÇб³), The Sympathy Exams: Dog Narratives and the Arc of Interspecies Sympathy


   

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596  2020³â [27Áý] 3È£ - Á¤¼­Çö - The Political Economy of Dead C¡¦ 12-31 1531
595  2020³â [27Áý] 2È£ - ¸ñÂ÷ - 08-31 999
594  2020³â [27Áý] 2È£ - Àå±âÀ± - Àß ÆÈ¸®´Â °í¾Æ µÇ±â: ¡ºÅ°´Ù¸® ¡¦ 08-31 1072
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592  2020³â [27Áý] 2È£ - ¹ÚÁÖÇö - The ¡°Almost¡± Reformers: Isabe¡¦ 08-31 1101
591  2020³â [27Áý] 2È£ - À̽½¾Æ - Functions of Frontispieces and ¡¦ 08-31 1133
590  2020³â [27Áý] 2È£ - ÇÏÀÎÇý - Bearing Witness to the Pain of ¡¦ 08-31 954
589  2020³â [27Áý] 1È£ - ¸ñÂ÷ - 04-30 930
588  2020³â [27Áý] 1È£ - ¹Úâ¼÷ - ÇÏÀ̺긮µå ŽÁ¤: »ý°¢ÇÏ´Â ±â°è,¡¦ 04-30 984
587  2020³â [27Áý] 1È£ - Á¶±ÔÇü - ¡º¸ðºñµñ¡» ÁÖÀΰø·ÐÀÇ ºñÆò»çÀû ¡¦ 04-30 1092
586  2020³â [27Áý] 1È£ - ±èÇü±Ù - The Incongruence of the Individ¡¦ 04-30 918
585  2020³â [27Áý] 1È£ - À¯¿µÇö - The Landscape of Memories and S¡¦ 04-30 1043
584  2020³â [27Áý] 1È£ - ÀÌÇ϶÷ - ¡°The Ghost of a Fact¡±: The Cr¡¦ 04-30 1089
583  2020³â [27Áý] 1È£ - Á¤´Ù¿î - The Pseudonym-Effect of ¡°Georg¡¦ 04-30 1091
582  2019³â [26Áý] 3È£ - ¸ñÂ÷ - 12-31 3187
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