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[11Áý] À¯¸ñÀû °ø°£°ú ¿©¼º: ÄÉÀÌÆ® ¼î¿ìÆÒÀÇ {°¢¼º}
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À¯¸ñÀû °ø°£°ú ¿©¼º: ÄÉÀÌÆ® ¼î¿ìÆÒÀÇ {°¢¼º}

   

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183  [12Áý] ¾È¼öÁø - [ºæ¶ó]ÀÇ º¸¼ö¼º ¶Ç´Â Áøº¸¼º Àç°í: ºæ¶óÀÇ °­¡¦ 07-21 1936
182  [12Áý] ¾Èµ¿Çö - 「´©·± º®Áö」¿Í 19¼¼±â ÈÄ¹Ý ¹Ì±¹¡¦ 07-21 2331
181  [12Áý] ¼ÕÇâ¼÷ - ¼Ò³â°ú Á¦±¹: 19¼¼±â Áß¿± ÀÌÈÄÀÇ ¸ðÇè¼Ò¼³°ú ¡¦ 07-21 2000
180  [12Áý] °íâ¼® - ¸áºô ¼Ò¼³¿¡ ³ªÅ¸³­ °í»óÇÑ °³ÀÎÁÖÀÇ : ÀÚº»°ú ¡¦ 07-21 1894
179  [11Áý] Rethinking Wordsworth's "Twaddling Stuff": Sympa¡¦ 07-21 1880
178  [11Áý] Revising George Eliot's Silas Marner: Silas Marn¡¦ 07-21 2087
177  [11Áý] Establishing Authorship 07-21 1728
176  [11Áý] Trauma, Silence, and Woman: The Coquette as a Subvers¡¦ 07-21 1700
175  [11Áý] Eroticism in Eliza Haywood's Amatory Fiction and¡¦ 07-21 1969
174  [11Áý] À¯¸ñÀû °ø°£°ú ¿©¼º: ÄÉÀÌÆ® ¼î¿ìÆÒÀÇ {°¢¼º} 07-21 2002
173  [11Áý] Ç Á¦ÀÓ½ºÀÇ {ºñ±ØÀû ½Ã½Å}ÀÇ ¿©¹è¿ì ¹Ì¸®¾ö: ÀçÇöÀû ¡¦ 07-21 1929
172  [11Áý] ½Å¿©¼ºÀÇ »õ¿ª»ç ¸¸µé±â: ¿Ã¸®ºê ½´¶óÀ̳ÊÀÇ {¾ÆÇÁ¸®Ä« ¡¦ 07-21 2610
171  [11Áý] ºòÅ丮¾ÆÁ¶ ÀâÁö¿Í ¼±Á¤¼Ò¼³ÀÇ »óÈ£ÅؽºÆ®¼º ¿¬±¸: ¸Þ¸® ¡¦ 07-21 1935
170  [11Áý] ¸¶Å© Æ®¿þÀÎÀÇ ³²ºÎ¿¡ ´ëÇÑ Åµµ¿Í ¸ð´õ´ÏƼÀÇ ¹®Á¦ 07-21 1956
169  [11Áý] The Mystery of the Proper Lady and the Gothic Writer 07-21 1701
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