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2016³â [23Áý] 3È£ - ¸ñÂ÷ -
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¼ÕÁ¤Èñ (Áß¾Ó´ëÇб³), ¼Ó¹ÚµÈ ¿©¼ºÀ¸·ÎºÎÅÍ ¹þ¾î³ª±â: ¡ºÆò»ý Á·¼â¿¡ ä¿öÁ®¡»¸¦ Áß½ÉÀ¸·Î

¾ö±âµ¿ (¼Û¿ø´ëÇб³), Á¸ Àª¸®¾ö½ºÀÇ ¡ººÎó½º Å©·Î½Ì¡»°ú ¹Ì±¹ ¼­ºÎ¼Ò¼³ÀÇ ÁøÈ­

¹ÚÈ¿¿ø (¿¬¼¼´ëÇб³), Bloom in the Distracting and Rationalizing Metropolis: Appropriation of the Urban Space in James Joyce¡¯s Ulysses Part II

ÃÖÀÚÀ± (¼­¿ï´ëÇб³), ¡°In a State of Perpetual Motion¡±: The Sea as an Unregulated and Liberating Space in Matthew Lewis¡¯s Journal of a West India Proprietor 

ÃÖÁö¾È (°æÈñ´ëÇб³), Daniel Deronda: Modern Women in the Modern World

ÇÏÀÎÇý (ÀÌÈ­¿©ÀÚ´ëÇб³), Up in the Air with Gansas: Plants, Animals, and Machines in Francis Godwin¡¯s The Man in the Moone




   

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511  2017³â [24Áý] 1È£ - ¼Õ¿µÈñ - Spectral Shadows of the Oxford ¡¦ 04-29 1259
510  2017³â [24Áý] 1È£ - À强Áø - The Breakdown of Space and Plac¡¦ 04-29 1340
509  2016³â [23Áý] 3È£ - ¸ñÂ÷ - 12-31 1419
508  2016³â [23Áý] 3È£ - ¹ÚÇÏÁ¤ - ¡ºÇÁ¶ûÄ˽´Å¸ÀΡ»¿¡ ³ªÅ¸³­ ³²¼º¡¦ 12-31 1493
507  2016³â [23Áý] 3È£ - ¼ÕÁ¤Èñ - ¼Ó¹ÚµÈ ¿©¼ºÀ¸·ÎºÎÅÍ ¹þ¾î³ª±â: ¡¦ 12-31 1250
506  2016³â [23Áý] 3È£ - ¾ö±âµ¿ - Á¸ Àª¸®¾ö½ºÀÇ ¡ººÎó½º Å©·Î½Ì¡»¡¦ 12-31 1452
505  2016³â [23Áý] 3È£ - ¹ÚÈ¿¿ø - Bloom in the Distracting and Ra¡¦ 12-31 1311
504  2016³â [23Áý] 3È£ - ÃÖÀÚÀ± - ¡°In a State of Perpetual Motio¡¦ 12-31 1442
503  2016³â [23Áý] 3È£ - ÃÖÁö¾È - Daniel Deronda: Modern Women in¡¦ 12-31 1577
502  2016³â [23Áý] 3È£ - ÇÏÀÎÇý - Up in the Air with Gansas: Plan¡¦ 12-31 1648
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500  2016³â [23Áý] 2È£ -°í¿µÈñ-Sugar, Fantasy, and Construction o¡¦ 08-31 1486
499  2016³â [23Áý] 2È£ -±è¸®Çö-Female Property and Independence i¡¦ 08-31 1546
498  2016³â [23Áý] 2È£ -ÀÌÀ±Áø-Gatsby Occurs as a Symptom: Trauma¡¦ 08-31 1275
497  2016³â [23Áý] 2È£ -½ÅÈñ¼·-The Knowable City: An Outline of U¡¦ 08-31 1454
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