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2016³â [23Áý] 2È£ -¸ñÂ÷-
³¯Â¥ : 2016-08-31 (¼ö) 10:36 Á¶È¸ : 1959
°í¿µÈñ(°í·Á´ëÇб³), Sugar, Fantasy, and Construction of Self in George Eliot¡¯s ¡°Brother Jacob¡±
±è¸®Çö(ÀÌÈ­¿©ÀÚ´ëÇб³), Female Property and Independence in Cecilia, or Memoirs of an Heiress
ÀÌÀ±Áø(°í·Á´ëÇб³), Gatsby Occurs as a Symptom: Trauma and the Memory
½ÅÈñ¼·(ÀÌÈ­¿©ÀÚ´ëÇб³),The Knowable City: An Outline of Urban Storytelling in Nineteenth-Century Europe
½ÅÇý¿ø(°í·Á´ëÇб³), Mary Shelley¡¯s Criticism of Anthropomorphic Compassion in Frankenstein
½Å¾ç¼÷(ÀÎõ´ëÇб³), E. M. Forster¡¯s Spiritual Journey in A Passage to India: Focused on Human Relations and Hinduism            
¼Õ¿µÈñ(±¤¿î´ëÇб³), The Woman in White: The Portrait of a Victorian Artist            
À±ÇýÁØ(¿¬¼¼´ëÇб³), Abel Magwitch and Convict Transportation: A Note on the Legal History behind the Fiction
 

   

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511  2017³â [24Áý] 1È£ - ¼Õ¿µÈñ - Spectral Shadows of the Oxford ¡¦ 04-29 1259
510  2017³â [24Áý] 1È£ - À强Áø - The Breakdown of Space and Plac¡¦ 04-29 1341
509  2016³â [23Áý] 3È£ - ¸ñÂ÷ - 12-31 1419
508  2016³â [23Áý] 3È£ - ¹ÚÇÏÁ¤ - ¡ºÇÁ¶ûÄ˽´Å¸ÀΡ»¿¡ ³ªÅ¸³­ ³²¼º¡¦ 12-31 1493
507  2016³â [23Áý] 3È£ - ¼ÕÁ¤Èñ - ¼Ó¹ÚµÈ ¿©¼ºÀ¸·ÎºÎÅÍ ¹þ¾î³ª±â: ¡¦ 12-31 1250
506  2016³â [23Áý] 3È£ - ¾ö±âµ¿ - Á¸ Àª¸®¾ö½ºÀÇ ¡ººÎó½º Å©·Î½Ì¡»¡¦ 12-31 1452
505  2016³â [23Áý] 3È£ - ¹ÚÈ¿¿ø - Bloom in the Distracting and Ra¡¦ 12-31 1311
504  2016³â [23Áý] 3È£ - ÃÖÀÚÀ± - ¡°In a State of Perpetual Motio¡¦ 12-31 1442
503  2016³â [23Áý] 3È£ - ÃÖÁö¾È - Daniel Deronda: Modern Women in¡¦ 12-31 1577
502  2016³â [23Áý] 3È£ - ÇÏÀÎÇý - Up in the Air with Gansas: Plan¡¦ 12-31 1648
501  2016³â [23Áý] 2È£ -¸ñÂ÷- 08-31 1960
500  2016³â [23Áý] 2È£ -°í¿µÈñ-Sugar, Fantasy, and Construction o¡¦ 08-31 1486
499  2016³â [23Áý] 2È£ -±è¸®Çö-Female Property and Independence i¡¦ 08-31 1546
498  2016³â [23Áý] 2È£ -ÀÌÀ±Áø-Gatsby Occurs as a Symptom: Trauma¡¦ 08-31 1275
497  2016³â [23Áý] 2È£ -½ÅÈñ¼·-The Knowable City: An Outline of U¡¦ 08-31 1454
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