ÃÖÀÚÀ±(¼¿ï´ëÇб³), The Early Republic, the Haitian Revolution, and the Horrors of Slavery in Brown¡¯s Ormond
ÃÖÀ±¿µ(ÀÌÈ¿©ÀÚ´ëÇб³), ¡°Beautiful Moving Corpses¡±: The ¡°Living Dead¡± as Anti-Capitalist Critique in Elizabeth Stuart Phelps¡¯s The Silent Partner
±èÁ¤ÇÏ(¿¬¼¼´ëÇб³), ¡°Insane Terrors of the Present¡±: Melancholic Temporality in Herman Melville¡¯s Benito Cereno
±è¼ø¹è(¼º±Õ°ü´ëÇб³), Exiled Space and Political Agonism in Lord Jim
±è¿µÁÖ(¼°´ëÇб³), A Troubling Sign of Englishness: The Country House Novels of Henry James, Ford Madox Ford and E. M. Forster
»ç¹Ì¿Á(ÃæºÏ´ëÇб³), Dreaming the Rebellious Dream: Reconstruction of the Happy Marriage in Eliza Haywood¡¯s The History of Jemmy and Jenny Jessamy
½ÅÇý¿Á(°í·Á´ëÇб³), Boundless Despair as the Way to Salvation: Melville¡¯s ¡°Bartleby, the Scrivener¡±
Kevin Edwin Stadt(±¹¸³¼¿ï°úÇбâ¼ú´ëÇб³), Sheriff Bell¡¯s Bad Faith: A Sartrean Perspective on Freedom and Anguish in McCarthy¡¯s No Country for Old Men