°í¿µÈñ(°í·Á´ëÇб³), Sugar, Fantasy, and Construction of Self in George Eliot¡¯s ¡°Brother Jacob¡±
±è¸®Çö(ÀÌÈ¿©ÀÚ´ëÇб³), Female Property and Independence in Cecilia, or Memoirs of an Heiress
ÀÌÀ±Áø(°í·Á´ëÇб³), Gatsby Occurs as a Symptom: Trauma and the Memory
½ÅÈñ¼·(ÀÌÈ¿©ÀÚ´ëÇб³),The Knowable City: An Outline of Urban Storytelling in Nineteenth-Century Europe
½ÅÇý¿ø(°í·Á´ëÇб³), Mary Shelley¡¯s Criticism of Anthropomorphic Compassion in Frankenstein
½Å¾ç¼÷(ÀÎõ´ëÇб³), E. M. Forster¡¯s Spiritual Journey in A Passage to India: Focused on Human Relations and Hinduism
¼Õ¿µÈñ(±¤¿î´ëÇб³), The Woman in White: The Portrait of a Victorian Artist
À±ÇýÁØ(¿¬¼¼´ëÇб³), Abel Magwitch and Convict Transportation: A Note on the Legal History behind the Fiction