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2017³â [24Áý] 1È£ - ¸ñÂ÷ -
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°èÁ¤¹Î (°è¸í´ëÇб³), ¹Ý-½ºÆÄÀ̼Ҽ³°ú ¹Ý-Ã߸®¼Ò¼³·Î¼­ÀÇ ¡ººñ¹Ð¿ä¿ø¡»

°í¿µ¶õ (¼ö¿ø´ëÇб³), ¡º¿¡¸¶¡»ÀÇ ¼­¼úÀÚ¿Í °èÃþ/Á¨´õ ¹®Á¦

±èÀºÇü (°Ç±¹´ëÇб³), ¿¡µå°¡ ¾Ù·± Æ÷ÀÇ 「°ËÀº °í¾çÀÌ」: °¡Á¤°ú ³²¼º¼º, ±×¸®°í °øÆ÷

±èÀÌÀº (¼­¿ï´ëÇб³), Æø·ÂÀÇ ½Ã´ë: ³ë¿¹ ÅèÀÇ ºñÆø·ÂÀû ÀúÇ× 

Á¶ÈñÁ¤ (Áß¾Ó´ëÇб³), ¡º°íµñ À̾߱âµé¡»¿¡ ³ªÅ¸³­ °¡ºÎÀåÀû Á¾±³¿Í Èñ»ýµÇ´Â ¡®¸¶³à¡¯µé: Ŭ·¹¾î ¼ö³à¿ø°ú ¸¶³à ·ÎÀ̽º¸¦ Áß½ÉÀ¸·Î 

¼Õ¿µÈñ (±¤¿î´ëÇб³), Spectral Shadows of the Oxford Movement and Aestheticism in Jude the Obscure

À强Áø (Áß¾Ó´ëÇб³), The Breakdown of Space and Place: Conrad¡¯s Nihilism in The Secret Agent


   

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527  2017³â [24Áý] 3È£ - ÇѾְæ - ¡ºÀÚ¸ÞÀÌÄ« ¿©Àμ÷¡»°ú ¡°Åë°ú Á¦¡¦ 12-30 904
526  2017³â [24Áý] 3È£ - Á¶ÀºÁø - (Un)Making of Jacob Flanders: P¡¦ 12-30 1406
525  2017³â [24Áý] 2È£ - ¸ñÂ÷ - 08-30 1159
524  2017³â [24Áý] 2È£ - ÃÖÀÚÀ± - Cruel Laughter at the Socially ¡¦ 08-30 940
523  2017³â [24Áý] 2È£ - ÃÖ¼Ò´ã - The Black Mississippi and White¡¦ 08-30 1216
522  2017³â [24Áý] 2È£ - ±èÀÏ¿µ - House of Words and Home of Frid¡¦ 08-30 960
521  2017³â [24Áý] 2È£ - À̽ÿ¬ - Somnium, The Man in the Moone, ¡¦ 08-30 935
520  2017³â [24Áý] 2È£ - Æθ® - Three Grown-up Problems in Middle¡¦ 08-30 903
519  2017³â [24Áý] 2È£ - ¾öµ¿Èñ - The Irony of Englishness in The¡¦ 08-30 949
518  2017³â [24Áý] 2È£ - ¹ÚÁ¾¼º - Configuration of Female Charact¡¦ 08-30 977
517  2017³â [24Áý] 1È£ - ¸ñÂ÷ - 04-29 946
516  2017³â [24Áý] 1È£ - °èÁ¤¹Î - ¹Ý-½ºÆÄÀ̼Ҽ³°ú ¹Ý-Ã߸®¼Ò¼³·Î¼­¡¦ 04-29 1071
515  2017³â [24Áý] 1È£ - °í¿µ¶õ - ¡º¿¡¸¶¡»ÀÇ ¼­¼úÀÚ¿Í °èÃþ/Á¨´õ ¡¦ 04-29 915
514  2017³â [24Áý] 1È£ - ±èÀºÇü - ¿¡µå°¡ ¾Ù·± Æ÷ÀÇ 「°ËÀº ¡¦ 04-29 1075
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