Á¦¸ñ: Rethinking English Studies in the Age of New Media

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Jung Eun Seo (Korea National University of Transportation)

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ÀüÀÚ¿µ (Çѱ¹±³Åë´ëÇб³)

Ja Young Jeon (Korea National University of Transportation)

¹ßÇ¥Á¦¸ñ: An Analysis of Students' Engagement with ChatGPT for an Active Reading of "A Scandal in Bohemia"

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ÃÖÁ¤¼± (¼þ½Ç´ëÇб³)

Jung Sun Choi (Soongsil University)

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¹Ú°æ¶õ (°í·Á´ëÇб³)

Kyungran Park (Korea University)

¹ßÇ¥Á¦¸ñ: Story in the Making: Student Future Autrebiographies with AI and WPI

 Åä·Ð 2

ÃÖ¼Ò´ã (ÀüÁÖ´ëÇб³)

Sodam Choi (Jeonju University)

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¹è°æÁø (â¿ø´ëÇб³)

Kyungjin Bae (Changwon National University)

¹ßÇ¥Á¦¸ñ: From Prompt to Plot: A Case Study on Educational Effects of AI-Assisted Narrative Writing Course

Åä·Ð 3

ÀÌÀ±Áø (°í·Á´ëÇб³)

Yoon Jin Lee (Korea University)

¼¼¼Ç Á¦¸ñ: Exploring Gender, Race, and the (Non-)Human in Literature from Global Perspectives

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Áø¼ºÀº (Á¦ÁÖ´ëÇб³)

Seongeun Jin (Jeju National University)

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±è¼­Çö (°í·Á´ëÇб³)

Seohyun Kim (Korea University)

¹ßÇ¥Á¦¸ñ: Zora Neale HurstonÀÇ ¹Ì±¹ ³²ºÎ ÀÚ¿¬ dz°æ ¹¦»ç¿¡ ³ªÅ¸³­ ÈæÀÎ Æä¹Ì´ÏÁòÀÇ ÇعæÀû ÀÚ¾Æ Å½»ö

Black Feminist Self-Exploration in Zora Neale Hurston's Southern Landscapes

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À¯ÇöÁÖ (»ó¸í´ëÇб³)

Hyun-Joo Yoo (Sangmyung University)

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À¯À̳ª (¹é¼®´ëÇб³)

Inna Yoo (Baekseok University University)

¹ßÇ¥Á¦¸ñ: ¸¶Å© Æ®¿þÀÎÀÇ ÇãŬº£¸® ÇÉÀÇ ¸ðÇèÀÇ Áö½Ä°ÔÀÓ

Knowledge Game in Mark Twain¡¯s Adventures of Huckleberry Finn

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³ëµ¿¿í (»ïÀ°´ëÇб³)

Dong-Wook Noh (Sahmyook University)

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ÀüÀ¯Áø (¼÷¸í¿©ÀÚ´ëÇб³)

Yoojin Jeon (Sookmyung Women's University)

¹ßÇ¥Á¦¸ñ: ¿©¼ºÀÇ ½Ã¹Î-ÁÖüµÇ±â¿Í ±× °ï°æ: ¿¤¸®ÀÚº£½º º¸À¢ÀÇ Çѳ·ÀÇ ¿­±â

Becoming the Citizen-Subject of a Woman and its Plight: Elizabeth Bowen¡¯s The Heat of the Day

Åä·Ð 3

¹æÀνĠ(¼÷¸í¿©ÀÚ´ëÇб³)

In Shik Bang (Sookmyung Women's University)

 ÀϽÃ: 2024³â 5¿ù 18ÀÏ (Åä) 13:00-18:00

 Àå¼Ò: ¼þ½Ç´ëÇб³ º£¾îµåȦ 102È£

 ÇÁ·Î±×·¥

13:00-13:30 µî·Ï 

13:30-13:40 È¸Àå Àλ縻 

1ºÎ: ±è¼±Àç (°Ç±¹´ë) »çȸ 

13:40-14:30 ÃÖÁ¤¼±(¼þ½Ç´ë) ¹ßÇ¥, ÃÖÁ¤¼±(ÇÑ°æ±¹¸³´ë) Åä·Ð 

ºòÅ丮¾È Æı¹ ¼­»ç¿Í ½ÄÀΠ½Ä¹°ÀÇ ÃâÇö 

14:30-15:20 À̼º¹Ì(¹æ¼Û´ë) ¹ßÇ¥, ÀÌÈñÀº(ÅÂÀç´ë)Åä·Ð 

The Extraction Zone in Victorian Narratives of Coal  

15:20-15:40 ÈÞ½Ä

2ºÎ: ÀÌÀ±Áø(°í·Á´ë) »çȸ 

15:40-16:30 ±èÈ¿¼±(¼­¿ï´ë) ¹ßÇ¥, ÃÖ¼Ò´ã(ÀüÁÖ´ë)Åä·Ð 

±âÈÄ Àç³­°ú °è±ÞÀÇ Á¤µ¿

16:30-17:20 ¹Ú°æ¶õ(°í·Á´ë) ¹ßÇ¥, ¼­ÁÖÈñ(¼­¿ï´ë)Åä·Ð 

The Psychology of Money: Myrtle and Gatsby 

17:20~17:40 Á¾ÇÕÅä·Ð

17:40~18:00 ¿¬±¸À±¸® ±³À°/ÃÑȸ

ÀϽÃ: 12¿ù 16ÀÏ(Åä) 10½Ã 45ºÐ ~ 12½Ã 15ºÐ

Special Session 4: 

Exploring the New Frontiers of Digital Humanities in English Literary Studies 

»çȸ: ¹è°æÁø (â¿ø´ë) 

Presentation 1

±è¿ë¼ö (ÇѸ²´ë) 

µðÁöÅÐ ¿µ¹®ÇÐ, ¾î¶»°Ô ÇÒ °ÍÀΰ¡: °³³ä°ú »ç·Ê 

(Digital English Literary Studies: Concepts, History, and Case Studies)

Presentation 2
ÇѼö¹Ì  (ÇѸ²´ë) 

¿µ¹Ì SF ¼Ò¼³ ÄÚÆÛ½º ±¸Ãà°ú µðÁöÅÐÀι®ÇÐÀû ºÐ¼®

(Construction of an English Sci-Fi Novel Corpus and Its Digital Humanities Analysis)

Presentation 3 

±èÁ¾°æ (Texas Christian University, USA)

´ëÇпø»ýÀÇ µðÁöÅÐ Àι®ÇÐ: ½ÇÇè½Ç, °­ÀǽÇ, ±×¸®°í ÇÐÀ§³í¹® 

(En Route to Digital Humanities: DHIG, Pedagogy, and Dissertation) 

ÀϽÃ: 5¿ù 20ÀÏ(Åä) 13½Ã~18½Ã

Àå¼Ò: Áß¾Ó´ëÇб³ 301°ü 904È£ 

°³È¸ ¹× ȸÀå´Ô Àλç 13:00~13:10 

1ºÎ: 13: 10~14: 30 (ÇÐȸ ¿¬±¸µ¿Çâ)

»çȸ: ¾È¼±¿µ(°í·Á´ë)

°­¿¬ 1: "[±Ù´ë¿µ¹Ì¼Ò¼³] ¿¬±¸ °æÇâ(1994~2022)°ú ¼Ò¼³·Ð" ¹ÚÁ¾¼º (Ãæ³²´ë)

             Åä·Ð: ÃÖÁ¤¼±(ÇÑ°æ´ë)

°­¿¬ 2: "±Ù´ë¿µ¹Ì¼Ò¼³ÇÐȸ ÃâÆÇ»ç¾÷ ȸ°í¿Í Á¦¾ð" °í¿µ¶õ(¼ö¿ø´ë)

             Åä·Ð: ±è¸íÁø(¿¬¼¼´ë)

2ºÎ: 14: 40~16: 40 (½ÅÁø¿¬±¸ÀÚ ¿¬±¸µ¿Çâ)

»çȸ: ±è¼±Àç(ûÁÖ´ë)

¹ßÇ¥ 1: "19¼¼±â ¹Ì±¹ ÈæÀÎ ¿©¼º ¹®ÇÐ ¿¬±¸¿Í ±³Â÷¼º" Çѿ츮 (Àü³²´ë)

            Åä·Ð: ¼­ÁÖÈñ(¼­¿ï´ë)

¹ßÇ¥ 2: "Àηù¼¼ Àüȸ: »ýźñÆòÀÇ ±¹¿Ü ¿¬±¸µ¿Çâ" À̱ټº(´Ü±¹´ë)

            Åä·Ð: ¼­Á¤Àº(Çѱ¹±³Åë´ë)

¹ßÇ¥ 3: "µðÁöÅÐÀι®ÇÐ ¿¬±¸µ¿Çâ" Á¤¼­Çö (KAIST)

            Åä·Ð: ±èÈñÁø(°æºÏ´ë)

16:40~17:30 ¶ó¿îµå Å×À̺í (»çȸ: À强Áø (Áß¾Ó´ë))

17:30~18:00 ¿¬±¸À±¸® ±³À° ¹× ÃÑȸ

ÁÖÁ¦:  Narrative Forms and Modernity(ies)

Àå¼Ò:  È«ÀÍ´ëÇб³ ¼­¿ïÄ·ÆÛ½º

SESSION 1.

ÀϽÃ:  2022³â 12¿ù 16ÀÏ(±Ý) 14:45 ~ 16:15 (90mins)

»çȸ: À̼ºÈ£ (Áß¾Ó´ë)

¹ßÇ¥: Á¶¼º°æ (ÀÎÇÏ´ë)

"Reading Long Novels in the Age of AI and Data: A Formalism about the Length of Fiction and Forgetting (in) Ulysses" (¿µ¹®)

Åä·Ð: À强Áø (Áß¾Ó´ë)

¹ßÇ¥: À¯¿µÇö (°í·Á´ë)

"»çÀ¯ÀÇ ¿òÁ÷ÀÓ, ¿òÁ÷ÀÓÀÇ »çÀ¯: °¡¿Í¹ÙŸ ¾ß½º³ª¸®ÀÇ  ¡º¸íÀΡ»°ú µ¥À̺ñµå Æ÷½ºÅÍ ¿ù¸®½ºÀÇ ¡º²öÀ̷С» ÇÔ²² Àбâ" (±¹¹®)

Åä·Ð: ¾È¼±¿µ (°­¿ø´ë)

Break Time (15ºÐ)

SESSION 2.

2022³â 12¿ù 16ÀÏ(±Ý) 16:30 ~ 18:00 (90mins)

»çȸ: ÀÌÁöÀº (¼º±Õ°ü´ë)

¹ßÇ¥: ÇÏÀÎÇý (ÀÎõ´ë)

¡°The Earthbound and Wilderness in Wuthering Heights¡± (¿µ¹®)

Åä·Ð: ¼ÕÀϼö (ºÎ»ê´ë)

¹ßÇ¥: ÇѼÖÁö (¼­¿ï´ë)

"The 'Deep Time' of Local Color: The Transnational Temporality in 'The Country of Pointed Firs'" (¿µ¹®)

Åä·Ð: ÃÖ¼Ò´ã (ÀüÁÖ´ë)

ÁÖÁ¦: ¿©¼º, ¿©Çà, ±Û¾²±â

ÁÜ È¸ÀÇ ÁÖ¼Ò:https://us02web.zoom.us/j/7695898062?pwd=VE42MERIWDhNRzV4b01sYU9XalZZQT09

ȸÀÇ ID: 769 589 8062  ºñ¹Ð¹øÈ£: 220521

ȸÀå´Ô Àλ縻: 2:00-2:10

¼¼¼Ç I: 2:10-3:50

»çȸ: ÃÖÁ¤¼±(¼þ½Ç´ë)

¹ßÇ¥ 1: À̽½(°Ç±¹´ë)

¡°Fear of Degeneration: Ennui and Empire in Florence Nightingale¡¯s The Letters from Egypt¡±

Åä·Ð: À̼º¹Ì(¾ð´õ¿ìµå ±¹Á¦´ëÇÐ)

¹ßÇ¥ 2: ÃÖÀ¯Á¤(ÀÎõ´ë)

¡°ÀÌÀÚº§¶ó ¹öµåÀÇ Çѱ¹ ¿©Çà±â¿¡ ³ªÅ¸³­ Á¨´õ¿Í Àüº¹¼º¡±

Åä·Ð: ¹ÚÁÖÇö(°¡Å縯´ë)

¹ßÇ¥ 3: ¹ÚÁöÀº(â¿ø´ë)

"Å»ÁÖÀÇ »î: Çظ®¾ù Åͺê¸Õ°ú ÁöÇÏöµµ"

Åä·Ð: ¼­Á¤Àº(Çѱ¹±³Åë´ë)

ÈÞ½Ä: 3:50-4:00

¼¼¼Ç II: 4:00-4:50

ROUND TABLE ¹× Á¾ÇÕ Åä·Ð:

Åä·ÐÀÚ: À̽½, ÃÖÀ¯Á¤, ¹ÚÁöÀº, À̼º¹Ì, ¹ÚÁÖÇö, ¼­Á¤Àº

»çȸ: ÃÖÁ¤¼±(¼þ½Ç´ë)

¿¬±¸À±¸®±³À° ¹× ÃÑȸ: 4:50-5:20

±Ù´ë¿µ¹Ì¼Ò¼³ÇÐȸ °¡À» ¿¬Âùȸ (Çѱ¹¿µ¾î¿µ¹®ÇÐȸ ±¹Á¦Çмú´ëȸ)

․ÁÖÁ¦: ÀüÀï°ú Æø·Â ¼­»ç¿¡ °üÇÑ ¿µ¾î¿µ¹®ÇÐÀ» ÅëÇÑ ¼¼°è½Ã¹Î ¾ç¼º(Nurturing Global Citizens within War and Violence Narratives)

․³¯Â¥: 2019³â 12¿ù 16ÀÏ(¿ù)—12¿ù 18ÀÏ(¼ö)

․Àå¼Ò: ´ëÀü ÄÁº¥¼Ç ¼¾ÅÍ

<Çѱ¹¾î ¼¼¼Ç> 12¿ù 17ÀÏ(È­) 13:30—15:00 Çѱ¹±Ù´ë¿µ¹Ì¼Ò¼³ÇÐȸI (104È£)

±è¼Ò¿¬(¸íÁö´ë): 󰡔¿Ã¸®¹ö Æ®À§½ºÆ®󰡕 ¼Ó µµ½Ã °ø°£°ú ¿Ü±¹¼º

¹ÚÁöÀº(â¿ø´ë): 󰡔¾ûŬ ÅèÀÇ ¿ÀµÎ¸·󰡕 ¼Ó ºÎ¾ý °ø°£ ÀçÇö

±èºÎ¼º(ÀÌÈ­¿©´ë): ¡®½É¸®ÇÐÀÇ ½ÃÀÛ¡¯: °¨Á¤ÀÌÀÔÀÇ Çö´ëÀû °³³ä°ú 󰡔»ÏÁ·ÇÑ ÁöºØ󰡕

ÁÂÀå: ¿ø¿µ¼±(¼­¿ï¿©´ë)

Åä·Ð: ±è¼±Àç(¹Ì½Ã°ÇÁÖ¸³´ë), ³ëµ¿¿í(»ïÀ°´ë), À±¹Ì¼±(¼øõÇâ´ë)

<¿µ¾î ¼¼¼Ç>  18ÀÏ(¼ö) 13:30—15:00 Çѱ¹±Ù´ë¿µ¹Ì¼Ò¼³ÇÐȸII (108È£)

¼­Á¤Àº(¿¬¼¼´ë): Selling Love, Selling Art: Commodity and Experience in William Thackeray¡¯s Vanity Fair

¹ÚÁÖÇö(Ä«Å縯´ë): ¡°I wish they were all Christians¡±: Isabella Bird¡¯s Depiction of Japanese (non)-religions in The Unbeaten Tracks

¾È¼Ò¹Ì(¿¬¼¼´ë) The Old Woman and the New

ÁÂÀå: À̼ºÈ£(Çѱ¹±³¿ø´ë)

Åä·Ð: ¼ÕÀϼö(ºÎ»ê´ë), °í¿µÈñ(¼­¿ï°ú±â´ë), ÃÖÁ¤¼±(ÀÎõ´ë)

—Çѱ¹±Ù´ë¿µ¹Ì¼Ò¼³ÇÐȸ/Çѱ¹Çö´ë¿µ¹Ì¼Ò¼³ÇÐȸ º½ ¿¬ÇÕÇмú´ëȸ

․ÁÖÁ¦: ±Ù´ë ¼ÓÀÇ Çö´ë, Çö´ë ¼ÓÀÇ ±Ù´ë

․ÀϽÃ: 2019³â 4¿ù 27ÀÏ Åä¿äÀÏ ¿ÀÈÄ 1½ÃºÎÅÍ

․Àå¼Ò: ¼þ½Ç´ëÇб³ º£¾îµåȦ 102È£

<1ºÎ> »çȸ: ±èâÈñ(¿¬¼¼´ë)

¹ÚÁÖÇö(¿¬¼¼´ë): Tonghak Peasants, the Almost Reformers: De-Radicalizing Grassroots Reforms

Åä·Ð: À̽ÂÈñ(°æÈñ´ë)

Á¶Ãæȯ(¼­¿ï´ë): ¿À´Ãº¸´Ù ³ª»Û/³ªÀº ¿À´Ã: The Man in the High Castle¿¡ ³ªÅ¸³­ ´ëü ¿ª»ç ³»·¯ ƼºêÀÇ ÇöÀ缺

Åä·Ð: ½ÅÇý¿ø(°í·Á´ë)

±è¼±³ª(¿¬¼¼´ë): ÇÑ¹Ì °£ÀÇ Ãʱ¹°¡Àû ÀÔ¾ç°ú ÀÌÁÖÀÇ »ýÁ¤Ä¡¿Í ÀÔ¾çÀÎÀÇ ¿¹¿ÜÀû ÁÖü¼º: Á¦ÀÎ Á¤ Æ®·» Ä«ÀÇ ÀÚ¼­ÀüÀ» Áß½ÉÀ¸·Î

Åä·Ð: ÀÌÁÖ¸®(Àü³²´ë)

<2ºÎ> »çȸ: ÇÏÀÎÇý(ÀÎõ´ë)

¼ÕÀϼö(Çѱ¹¿Ü´ë): 󰡔¼Ö·Î¸ó ¿ÕÀÇ ±¤»ê󰡕°ú ｢±«¹°｣¿¡¼­ º» ±Ç·Â ÀåÄ¡·Î¼­ÀÇ ±«¹°¼º

Åä·Ð: °í¿µÈñ(°í·Á´ë)

ÃÖÀ±¿µ(µ¿´ö¿©´ë): ½Å¸¯ Àª¸®¾öÁî(Cynric R. Williams)ÀÇ 󰡔¿Àºñ¾Æ ÁÖ¼ú»ç Çϸá󰡕(Hamel, the Obeah Man)¿¡ ³ªÅ¸³­ Å»Àΰ£Áß½ÉÀû Æ÷½ºÆ®ÈÞ¸ÕÀÇ °¡´É¼º

Åä·Ð: ±èÀºÇü(¼­¿ï´ë)

ÀÌÁÖ¿±(ºÎ»ê´ë): ÀÛ°¡ÀÇ Àǵµ¿Í Çؼ®ÀÇ ÀÚÀ¯ »çÀÌ¿¡¼­: 2000³â´ë º£ÄÉÆ®¿¬±¸¿¡¼­ ÃË¹ßµÈ Æçµå¸¸-´Ù ¿ìµå ³íÀïÀ» Áß½ÉÀ¸·Î

Åä·Ð: ±è¿©Áø(Áß¾Ó´ë)

13:30-15:10 The Korean Society of British and American Fiction I (Centennial Hall 701-A)

*Chair: Young Seon Won (Seoul Women¡¯s University, Korea)

¡°Gender, Madness and Subversion in Modern Narratives¡±

Jung-Sook Hwang (Sungkyunkwan University, Korea), ¡°Soon the Madness Will Come Out¡±: Historicizing Madness in Jean Rhys¡¯s Wide Sargasso Sea  

Hyunyoung Cho (George Mason University Korea, Korea), Mercie and Mrs. Badman: Bunyan¡¯s Re- imagination of Heroism in The Second Part of The Pilgrim¡¯s Progress     

*Discussants: Soyoun Kum (Seoul National University, Korea)

Donghee Om (Kyungpook National University, Korea) 

Saturay, December 15, 2018  

14:50-16:30 The Korean Society of British and American Fiction II (Centennial Hall 608) (in English)  

* Chair: Kwangtaek Han (Chungbuk National University, Korea)

¡°Colonialism, Modernism and Modern Imagination¡±

Jung un Seo (Yonsei University, Korea), Tactile Epistemology of Sympathy in Thomas Hardy

Seung Hee Lee (Kyung Hee University, Korea), En-Gendering the Future: Imperialism, Gender, and Temporality in Margaret Fuller's Woman in the Nineteenth Century

Younghee Koh (Korea University, Korea), ¡°commodious vicus of recirculation¡±: Finnegans Wake under the influence of Our Mutual Friend

* Discussants: Heewon Chung (University of Seoul, Korea)

Sodam Choi (Korea University, Korea)

Ja Yun Choi (Seoul National University, Korea)

ÁÖÁ¦: "Á¨´õ¿Í Á¦±¹ À̵¥¿Ã·Î±â: 18¼¼±â ¿µ¼Ò¼³¿¡¼­ 20¼¼±â ¹Ì¼Ò¼³±îÁö"

ÀϽÃ: 2018³â 5¿ù 26ÀÏ(Åä) 1:00-5:50 

Àå¼Ò: °Ç±¹´ëÇб³ ¼­¿ïÄ·ÆÛ½º 

<Çмú´ëȸ ÀÏÁ¤°ú ¹ßÇ¥> 

1:00-1:30 µî·Ï 

1:30-1:40 ȸÀå´Ô Àλ縻 

1ºÎ: ¾öµ¿Èñ(°æºÏ´ë) »çȸ 

1:40-2:30 À̼ºÈ£(±³¿ø´ë) ¹ßÇ¥, ÀÌÇý¼ö(°Ç±¹´ë) Åä·Ð 

Life-debt as Rhetorical Resources for Contractarian Discourse in Daniel Defoe's Criminal Narratives 

2:30-3:20 ±è¼Ò¿¬(¼­¿ï´ë) ¹ßÇ¥, ÃÖÁ¤¼±(ÀÎõ´ë)Åä·Ð 

´Ù¶ô¹æÀÇ °¡Á¤±³»ç: ¡ºÁ¦ÀÎ ¿¡¾î¡» ¼Ó ¿©ÇàÇÏ´Â ¿©¼º°ú Á¦±¹ÀÇ ´ã·Ð 

3:20-3:40 ÈÞ½Ä

2ºÎ: ÃÖÁ¤¼±(ÇÑ°æ´ë) »çȸ 

3:40-4:30 ¾ö±âµ¿(¼Û¿ø´ë) ¹ßÇ¥, Á¶µ¿ÀÎ(ÀÎÇÏ°øÀü)Åä·Ð 

ºñ°Å Å丶½º¿Í Á¨ ¾ó·Ð: ¸®Ã³µå ¶óÀÌÆ®ÀÇ ¡ºÅä¹ÚÀÌ¡»¿¡ ³ªÅ¸³­ ÀÎÁ¾ °£ ¿ìÁ¤ÀÇ ¹®Á¦ 

4:30-5:20 Áø¼ºÀº(¼þ½Ç´ë) ¹ßÇ¥, ÁøÁÖ¿µ(¼øõÇâ´ë)Åä·Ð 

Black Womanhood and (Un)Silenced Voices in Margaret Walker's Jubilee 

5:20~ ÃÑȸ

ÁÖÁ¦ : ¹®ÇÐÀ¸·Î ±Ç¸®¸¦ ¸»ÇÏ´Ù

("Narrating Rights: Literary Texts and Human, Nonhuman, and Inhuman Demands¡±)

ÀϽÃ: 2017³â 12¿ù 13ÀÏ(¼ö) - 12¿ù 15ÀÏ(±Ý)

Àå¼Ò: ¼­¿ï´ëÇб³ È£¾Ï±³¼öȸ°ü 

<ÇÑ±Û ¼¼¼Ç> 12¿ù 13ÀÏ(¼ö) 1:00-2:30ºÐ

A Study of Anatomy Experiment in 19th Century English Novels

Jae-uk Choo (Chung-Ang Univ.)

The American Southern Society and the Age of Violence: William Faulkner's Light in August

Dong-In Cho (Inha Technical College)  

Chair: Youngran Koh (Suwon Univ.)

Discussants: Sungjin Jang (Incheon National Univ.), Yun Jin Lee (Korea Univ.)

<¿µ¾î ¼¼¼Ç > 12¿ù 14ÀÏ(¸ñ) 1:00-2:30ºÐ

Translating the Landscape in Ann Radcliffe's Italian

Hyewon Ryu (Ewha Womans Univ.)

A Rewriting of the Bildungsroman and the Rise of Detective Fiction in The Moonstone

Ilsu Sohn (Seoul National Univ.) 

Chair: Jong-Seong Park (Chungnam National Univ.)

Discussants: Hee Won Chung (Univ. of Seoul), Donghee Om (Kyungbuk National Univ.)

_____________________________________________________________________________________ 

<ÇÑ±Û ¼¼¼Ç> 12¿ù 13ÀÏ(¼ö) 1:00-2:30ºÐ

ÃßÀç¿í(Áß¾Ó´ë) : 19¼¼±â ¿µ±¹¼Ò¼³¿¡ ³ªÅ¸³­ ÇغÎÀÇÇÐ ½ÇÇè¿¡ ´ëÇÑ ¿¬±¸

Á¶µ¿ÀÎ(ÀÎÇÏ°øÀü) : ¹Ì±¹ ³²ºÎ»çȸ¿Í Æø·ÂÀÇ ½Ã´ë: Àª¸®¾ö Æ÷Å©³Ê <ÆÈ¿ùÀÇ ºû>

ÁÂÀå : °í¿µ¶õ(¼ö¿ø´ë)

Åä·Ð : À强Áø(ÀÎõ´ë), ÀÌÀ±Áø(°í·Á´ë)

<¿µ¾î ¼¼¼Ç > 12¿ù 14ÀÏ(¸ñ) 1:00-2:30ºÐ

·ùÇý¿ø(ÀÌÈ­¿©´ë): Translating the Landscape in Ann Radcliffe's The Italian

¼ÕÀϼö(¼­¿ï´ë) : A Rewriting of the Bildungsroman and the Rise of Detective Fiction in The Moonstone

ÁÂÀå : ¹ÚÁ¾¼º(Ãæ³²´ë)

Åä·Ð : Á¤Èñ¿ø(¼­¿ï½Ã¸³´ë), ¾öµ¿Èñ(°æºÏ´ë)

Á¦¸ñ:  ´Ù½Ã Àΰ£À» ¸»ÇÏ´Ù: ¿µ±¹¼Ò¼³À» Àд »õ·Î¿î °üÁ¡µé

Readdressing the Human: Fresh Perspectives on the English Novel 

ÀϽÃ: 2017. 5. 27(Åä) ¿ÀÈÄ 1½Ã 30ºÐ ~ 5½Ã 30ºÐ

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