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2015³â [22Áý] 2È£ - ¸ñÂ÷ -
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ÃÖÀÚÀ±(¼­¿ï´ëÇб³), The Early Republic, the Haitian Revolution, and the Horrors of Slavery in Brown¡¯s Ormond 
 
ÃÖÀ±¿µ(ÀÌÈ­¿©ÀÚ´ëÇб³), ¡°Beautiful Moving Corpses¡±: The ¡°Living Dead¡± as Anti-Capitalist Critique in Elizabeth Stuart Phelps¡¯s The Silent Partner
 
±èÁ¤ÇÏ(¿¬¼¼´ëÇб³), ¡°Insane Terrors of the Present¡±: Melancholic Temporality in Herman Melville¡¯s Benito Cereno
 
±è¼ø¹è(¼º±Õ°ü´ëÇб³), Exiled Space and Political Agonism in Lord Jim
 
±è¿µÁÖ(¼­°­´ëÇб³), A Troubling Sign of Englishness: The Country House Novels of Henry James, Ford Madox Ford and E. M. Forster
 
»ç¹Ì¿Á(ÃæºÏ´ëÇб³), Dreaming the Rebellious Dream: Reconstruction of the Happy Marriage in Eliza Haywood¡¯s The History of Jemmy and Jenny Jessamy
 
½ÅÇý¿Á(°í·Á´ëÇб³), Boundless Despair as the Way to Salvation: Melville¡¯s ¡°Bartleby, the Scrivener¡±
 
Kevin Edwin Stadt(±¹¸³¼­¿ï°úÇбâ¼ú´ëÇб³), Sheriff Bell¡¯s Bad Faith: A Sartrean Perspective on Freedom and Anguish in McCarthy¡¯s No Country for Old Men

   

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600  2020³â [27Áý] 3È£ - ±èµ¿¿í - A Study of Lady Viviette Consta¡¦ 12-31 435
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598  2020³â [27Áý] 3È£ - ±èâÈñ - Collateral Damage in the Making¡¦ 12-31 519
597  2020³â [27Áý] 3È£ - ¾çÇýÁø - Visually Gendering Christiana: ¡¦ 12-31 458
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